diff --git a/resources/hymns/410-standing-on-the-promises.ly b/resources/hymns/410-standing-on-the-promises.ly new file mode 100644 index 0000000..2ab7218 --- /dev/null +++ b/resources/hymns/410-standing-on-the-promises.ly @@ -0,0 +1,155 @@ +% from https://hymnary.org/hymn/RHSA1889/page/44 (changed "Saviour" to "Savior") +% text: Standing on the Promises https://hymnary.org/text/standing_on_the_promises_of_christ_my_ki +% tune: Promises https://hymnary.org/tune/promises_carter +% The whole piece was additionally transposed down a whole step from B♭ to A♭. + +% The Celebration Hymnal is identical except that it makes a few changes (trap +% streets, one wonders?—I invariably like the changes less than the originals) +% in the last two measures (none of which are made in this document): +% - First note of the second-to-last measure, CEL1997 has tenor singing F in +% unison with the basses +% - Last note of the second-to-last measure, CEL1997 has tenor singing A, a +% repeat of the previous note +% - Last note (whole) of the piece, CEL1997 has B♭3 an octave above basses (and +% a cue-note-looking F4 between the alto and soprano to round the chord out) + +\version "2.24.4" + +\header { + tagline = ##f +} + +\language "english" + +global = { + \key af \major + \time 4/4 +} + +soprano = \relative ef' { + \global + ef8. ef16 ef8. f16 ef8. df16 c8. df16 | ef4 af af2 | + f8. f16 f8. g16 \break af8. af16 g8. f16 | f4 ef ef2 | + ef8. ef16 ef8. f16 ef8. df16 c8. df16 | ef4 af af2 | + c8. c16 af8. af16 bf8. bf16 g8. g16 | af1 \bar "||" \break +} +sopChorus = \relative c'' { + c2 af | f af | + bf8. bf16 bf8. bf16 \break bf8. bf16 af8. bf16 | c4 af f af | + c2 af | f df'4.\fermata bf8 | + af8. af16 af8. bf16 c8. c16 bf8. bf16 | af1 \bar "|." +} + +alto = \relative c' { + \global + c8. c16 c8. df16 c8. bf16 af8. bf16 | c4 c c2 | + df8. df16 df8. ef16 f8. f16 ef8. df16 | df4 c c2 | + c8. c16 c8. df16 c8. bf16 af8. bf16 | c4 c c2 | + ef8. ef16 c8. c16 df8. df16 df8. df16 | c1 | +} +altoTenorBassChorus = \relative ef' { + ef8. ef16 ef8. ef16 c8. c16 c4 | df8. df16 df8. df16 c8. c16 c4 | + ef8. ef16 ef8. ef16 ef8. ef16 ef8. ef16 | ef4 c df c | + ef8. ef16 ef8. ef16 c8. c16 c4 | df8. df16 df8. df16 f8. f16 f8\fermata df | + c8. c16 c8. df16 ef8. ef16 df8. df16 | c1 +} + +tenor = \relative af { + \global + \clef bass + af8. af16 af8. af16 af8. ef16 ef8. ef16 | af4 af af2 | + af8. af16 af8. af16 df8. df16 af8. af16 | af4 af af2 | + af8. af16 af8. af16 af8. ef16 ef8. ef16 | af4 ef ef2 | + af8. af16 ef8. ef16 f8. f16 ef8. ef16 | ef1 | + af8. af16 af8. af16 af8. af16 af4 | af8. af16 af8. af16 af8. af16 af4 | + g8. g16 g8. g16 g8. g16 f8. g16 | af4 ef af ef | + af8. af16 af8. af16 af8. af16 af4 | af8. af16 af8. af16 af8. af16 af8\fermata f | + af8. af16 af8. g16 af8. af16 g8. ef16 | ef1 +} + +bass = \relative af, { + \global + af8. af16 af8. af16 af8. af16 af8. af16 | af4 af af2 | + df8. df16 df8. df16 df8. df16 df8. df16 | af4 af af2 | + af8. af16 af8. af16 af8. af16 af8. af16 | af4 af af2 | + af8. af16 af8. af16 df8. df16 ef8. ef16 | af,1 | + af'8. af16 af8. af16 af8. af16 af4 | df,8. df16 df8. df16 f8. f16 f4 | + ef8. ef16 ef8. ef16 ef8. ef16 ef8. ef16 | af4 af, af af | + af8. af16 af8. af16 af8. af16 af4 | df8. df16 df8. df16 df8. df16 df8\fermata df | + ef8. ef16 ef8. ef16 ef8. ef16 ef8. ef16 | af,1 +} + +verseOne = \lyricmode { + Stand -- ing on the prom -- is -- es of Christ, my King! + Thro' e -- ter -- nal a -- ges let His prais -- es ring: + "\"Glo" -- ry in the high -- "est!\"" I will shout and sing, + Stand -- ing on the prom -- is -- es of God. +} + +verseTwo = \lyricmode { + Stand -- ing on the prom -- is -- es that can -- not fail, + When the howl -- ing storms of doubt and fear as -- sail, + By the liv -- ing Word of God I shall pre -- vail, + Stand -- ing on the prom -- is -- es of God. +} + +verseThree = \lyricmode { + Stand -- ing on the prom -- is -- es I now can see + Per -- fect, pres -- ent cleans -- ing in the blood for me; + Stand -- ing in the lib -- er -- ty where Christ makes free, + Stand -- ing on the prom -- is -- es of God. +} + +verseFour = \lyricmode { + Stand -- ing on the prom -- is -- es of Christ the Lord, + Bound to Him e -- ter -- nal -- ly by love's strong cord, + O -- ver -- com -- ing dai -- ly with the Spir -- it's sword, + Stand -- ing on the prom -- is -- es of God. +} + +verseFive = \lyricmode { + Stand -- ing on the prom -- is -- es I can -- not fall, + List -- 'ning ev -- 'ry mo -- ment to the Spir -- it's call, + Rest -- ing in my Sav -- ior as my all in all, + Stand -- ing on the prom -- is -- es of God. +} + +chorusSop = \lyricmode { + Stand -- ing, stand -- ing, + Stand -- ing on the prom -- is -- es of God my Sav -- ior; + Stand -- ing, stand -- ing, + I'm stand -- ing on the prom -- is -- es of God. +} + +chorusAltoTenorBass = \lyricmode { + Stand -- ing on the prom -- is -- es, stand -- ing on the prom -- is -- es, + Stand -- ing on the prom -- is -- es of God my Sav -- ior; + Stand -- ing on the prom -- is -- es, stand -- ing on the prom -- is -- es, + I'm stand -- ing on the prom -- is -- es of God. +} + +\score { + \new ChoirStaff << + \new Staff \with { \consists Merge_rests_engraver } << + \new Voice = "soprano" { \voiceOne \soprano \sopChorus } + \new Voice = "alto" { \voiceTwo \alto \altoTenorBassChorus } + \new Lyrics \lyricsto soprano { \set stanza = "1. " \verseOne } + \new Lyrics \lyricsto soprano { \set stanza = "2. " \verseTwo \chorusSop } + \new Lyrics \lyricsto alto { \set stanza = "3. " \verseThree \chorusAltoTenorBass } + \new Lyrics \lyricsto soprano { \set stanza = "4. " \verseFour } + \new Lyrics \lyricsto soprano { \set stanza = "5. " \verseFive } + >> + \new Staff \with { \consists Merge_rests_engraver } << + \clef bass + \new Voice = "tenor" { \voiceOne \tenor } + \new Voice = "bass" { \voiceTwo \bass } + >> + >> + \layout { + indent = 0 + \context { + \Score + \omit BarNumber + } + } +}