% from https://hymnary.org/hymn/RHSA1889/page/44 (changed "Saviour" to "Savior")
% text: Standing on the Promises https://hymnary.org/text/standing_on_the_promises_of_christ_my_ki
% tune: Promises https://hymnary.org/tune/promises_carter
% The whole piece was additionally transposed down a whole step from B♭ to A♭.

% The Celebration Hymnal is identical except that it makes a few changes (trap
% streets, one wonders?—I invariably like the changes less than the originals)
% in the last two measures (none of which are made in this document):
% - First note of the second-to-last measure, CEL1997 has tenor singing F in
%   unison with the basses
% - Last note of the second-to-last measure, CEL1997 has tenor singing A, a
%   repeat of the previous note
% - Last note (whole) of the piece, CEL1997 has B♭3 an octave above basses (and
%   a cue-note-looking F4 between the alto and soprano to round the chord out)

\version "2.24.4"

\header {
  tagline = ##f
}

\language "english"

global = {
  \key af \major
  \time 4/4
}

soprano = \relative ef' {
  \global
  ef8. ef16 ef8. f16 ef8. df16 c8. df16 | ef4 af af2 |
  f8. f16 f8. g16 \break af8. af16 g8. f16 | f4 ef ef2 |
  ef8. ef16 ef8. f16 ef8. df16 c8. df16 | ef4 af af2 |
  c8. c16 af8. af16 bf8. bf16 g8. g16 | af1 \bar "||" \break
}
sopChorus = \relative c'' {
  c2 af | f af |
  bf8. bf16 bf8. bf16 \break bf8. bf16 af8. bf16 | c4 af f af |
  c2 af | f df'4.\fermata bf8 |
  af8. af16 af8. bf16 c8. c16 bf8. bf16 | af1 \bar "|."
}

alto = \relative c' {
  \global
  c8. c16 c8. df16 c8. bf16 af8. bf16 | c4 c c2 |
  df8. df16 df8. ef16 f8. f16 ef8. df16 | df4 c c2 |
  c8. c16 c8. df16 c8. bf16 af8. bf16 | c4 c c2 |
  ef8. ef16 c8. c16 df8. df16 df8. df16 | c1 |
}
altoTenorBassChorus = \relative ef' {
  ef8. ef16 ef8. ef16 c8. c16 c4 | df8. df16 df8. df16 c8. c16 c4 |
  ef8. ef16 ef8. ef16 ef8. ef16 ef8. ef16 | ef4 c df c |
  ef8. ef16 ef8. ef16 c8. c16 c4 | df8. df16 df8. df16 f8. f16 f8\fermata df |
  c8. c16 c8. df16 ef8. ef16 df8. df16 | c1
}

tenor = \relative af {
  \global
  \clef bass
  af8. af16 af8. af16 af8. ef16 ef8. ef16 | af4 af af2 |
  af8. af16 af8. af16 df8. df16 af8. af16 | af4 af af2 |
  af8. af16 af8. af16 af8. ef16 ef8. ef16 | af4 ef ef2 |
  af8. af16 ef8. ef16 f8. f16 ef8. ef16 | ef1 |
  af8. af16 af8. af16 af8. af16 af4 | af8. af16 af8. af16 af8. af16 af4 |
  g8. g16 g8. g16 g8. g16 f8. g16 | af4 ef af ef |
  af8. af16 af8. af16 af8. af16 af4 | af8. af16 af8. af16 af8. af16 af8\fermata f |
  af8. af16 af8. g16 af8. af16 g8. ef16 | ef1
}

bass = \relative af, {
  \global
  af8. af16 af8. af16 af8. af16 af8. af16 | af4 af af2 |
  df8. df16 df8. df16 df8. df16 df8. df16 | af4 af af2 |
  af8. af16 af8. af16 af8. af16 af8. af16 | af4 af af2 |
  af8. af16 af8. af16 df8. df16 ef8. ef16 | af,1 |
  af'8. af16 af8. af16 af8. af16 af4 | df,8. df16 df8. df16 f8. f16 f4 |
  ef8. ef16 ef8. ef16 ef8. ef16 ef8. ef16 | af4 af, af af |
  af8. af16 af8. af16 af8. af16 af4 | df8. df16 df8. df16 df8. df16 df8\fermata df |
  ef8. ef16 ef8. ef16 ef8. ef16 ef8. ef16 | af,1
}

verseOne = \lyricmode {
  Stand -- ing on the prom -- is -- es of Christ, my King!
  Thro' e -- ter -- nal a -- ges let His prais -- es ring:
  "\"Glo" -- ry in the high -- "est!\"" I will shout and sing,
  Stand -- ing on the prom -- is -- es of God.
}

verseTwo = \lyricmode {
  Stand -- ing on the prom -- is -- es that can -- not fail,
  When the howl -- ing storms of doubt and fear as -- sail,
  By the liv -- ing Word of God I shall pre -- vail,
  Stand -- ing on the prom -- is -- es of God.
}

verseThree = \lyricmode {
  Stand -- ing on the prom -- is -- es I now can see
  Per -- fect, pres -- ent cleans -- ing in the blood for me;
  Stand -- ing in the lib -- er -- ty where Christ makes free,
  Stand -- ing on the prom -- is -- es of God.
}

verseFour = \lyricmode {
  Stand -- ing on the prom -- is -- es of Christ the Lord,
  Bound to Him e -- ter -- nal -- ly by love's strong cord,
  O -- ver -- com -- ing dai -- ly with the Spir -- it's sword,
  Stand -- ing on the prom -- is -- es of God.
}

verseFive = \lyricmode {
  Stand -- ing on the prom -- is -- es I can -- not fall,
  List -- 'ning ev -- 'ry mo -- ment to the Spir -- it's call,
  Rest -- ing in my Sav -- ior as my all in all,
  Stand -- ing on the prom -- is -- es of God.
}

chorusSop = \lyricmode {
  Stand -- ing, stand -- ing,
  Stand -- ing on the prom -- is -- es of God my Sav -- ior;
  Stand -- ing, stand -- ing,
  I'm stand -- ing on the prom -- is -- es of God.
}

chorusAltoTenorBass = \lyricmode {
  Stand -- ing on the prom -- is -- es, stand -- ing on the prom -- is -- es,
  Stand -- ing on the prom -- is -- es of God my Sav -- ior;
  Stand -- ing on the prom -- is -- es, stand -- ing on the prom -- is -- es,
  I'm stand -- ing on the prom -- is -- es of God.
}

\score {
  \new ChoirStaff <<
    \new Staff \with { \consists Merge_rests_engraver } <<
      \new Voice = "soprano" { \voiceOne \soprano \sopChorus }
      \new Voice = "alto" { \voiceTwo \alto \altoTenorBassChorus }
      \new Lyrics \lyricsto soprano { \set stanza = "1. " \verseOne }
      \new Lyrics \lyricsto soprano { \set stanza = "2. " \verseTwo \chorusSop }
      \new Lyrics \lyricsto alto    { \set stanza = "3. " \verseThree \chorusAltoTenorBass }
      \new Lyrics \lyricsto soprano { \set stanza = "4. " \verseFour }
      \new Lyrics \lyricsto soprano { \set stanza = "5. " \verseFive }
    >>
    \new Staff \with { \consists Merge_rests_engraver } <<
      \clef bass
      \new Voice = "tenor" { \voiceOne \tenor }
      \new Voice = "bass" { \voiceTwo \bass }
    >>
  >>
  \layout {
    indent = 0
    \context {
      \Score
      \omit BarNumber
    }
  }
}