Add some basic SA/SAB a cappella arrangements
These might be in use for Ash Wednesday?
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1
.gitignore
vendored
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.gitignore
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*.pdf
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135
hallelujah-what-a-savior-sab.ly
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135
hallelujah-what-a-savior-sab.ly
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% Based on https://hymnary.org/page/fetch/CEL1997/303/high
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\version "2.24.4"
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\language "english"
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\header {
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title = "Hallelujah, What a Savior!"
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composer = "Philip P. Bliss, 1875"
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tagline = "" % Suppress "Music Engraving by Lilypond"
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}
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soprano = \relative f' {
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\key bf \major
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f4 f f d | bf' bf a2 |
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g4 g f bf | a g f2 |
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f4 f f d | bf' bf bf
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bf8. c16 | d2 c4 bf8. g16 | g2 f \bar "|."
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}
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alto = \relative c' {
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d4 d d bf | d d d( c) |
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bf c d f | f e c2 |
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d4 d d bf | d ef d
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f8. f16 | f2 f4 d8. d16 | ef2 d |
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}
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baritone = \relative c' {
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\clef bass
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\key bf \major
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bf4 bf bf f | g g fs2 |
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g4 a bf d | c bf a2 |
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bf4 bf bf f | f g f
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bf8. a16 | bf2 a4 bf8. bf16 | bf2 bf |
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}
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sopTransition = \relative f' {
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\key bf \major
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f4 bf,8( c) d( ef) f4 |
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\key b \major
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fs4 as,8( b) cs( ds) e4 \bar "||"
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}
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altoTransition = \relative d' {
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\key bf \major
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d4 bf bf8( c) d4 |
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\key b \major
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cs4 as8( b) as( b) cs4 |
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}
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bariTransition = \relative bf {
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\key bf \major
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bf4 a af af |
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\key b \major
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as as8( gs) fs4 fs |
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}
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verseOne = \lyricmode {
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\set stanza = "1. "
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“Man of Sor -- rows!” what a name
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For the Son of God, who came
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Ru -- ined sin -- ners to re -- claim!
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}
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verseTwo = \lyricmode {
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\set stanza = "2. "
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Bear -- ing shame and scoff -- ing rude,
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In my place con -- demned He stood—
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Sealed my par -- don with His blood;
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}
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verseThree = \lyricmode {
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\set stanza = "3. "
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Guil -- ty, vile, and help -- less we,
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Spot -- less Lamb of God was He;
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Full a -- tone -- ment! can it be?
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}
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verseFour = \lyricmode {
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\set stanza = "4. "
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Lift -- ed up was He to die,
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“It is fin -- ished!” was His cry;
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Now in heav'n ex -- alt -- ed high;
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}
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verseFive = \lyricmode {
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\set stanza = "5. "
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When He comes, our glo -- rious King,
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All His ran -- somed home to bring,
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Then a -- new this song we'll sing:
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}
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refrain = \lyricmode {
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Hal -- le -- lu -- jah, what a Sav -- ior!
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}
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\score {
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<<
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\new ChoirStaff <<
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\new Staff = "soprano" <<
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\new Voice = "soprano" { \voiceOne \soprano }
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\new Lyrics \lyricsto soprano { \verseOne }
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\new Lyrics \lyricsto soprano { \verseTwo }
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\new Lyrics \lyricsto soprano { \verseThree \refrain }
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\new Lyrics \lyricsto soprano { \verseFour }
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\new Lyrics \lyricsto soprano { \verseFive }
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\new Voice = "alto" { \voiceTwo \alto }
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>>
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\new Staff = "baritone" <<
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\new Voice = "baritone" { \voiceThree \baritone }
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>>
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>>
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>>
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\layout { }
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}
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% Optional modulation between verses four and five
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\score {
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<<
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\new ChoirStaff <<
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\new Staff = "sopTransition" <<
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\new Voice = "sopTransition" { \voiceOne \sopTransition }
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\new Lyrics \lyricsto sopTransition { \refrain }
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\new Voice = "altoTransition" { \voiceTwo \altoTransition }
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>>
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\new Staff = "bariTransition" <<
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\clef bass
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\new Voice = "bariTransition" { \voiceThree \bariTransition }
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>>
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>>
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>>
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\layout { }
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}
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141
were-you-there-sab.ly
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141
were-you-there-sab.ly
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% Based on https://hymnary.org/page/fetch/CEL1997/307/high
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\version "2.24.4"
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\language "english"
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\header {
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title = "Were You There?"
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composer = "Traditional Spiritual"
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tagline = "" % Suppress "Music Engraving by Lilypond"
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}
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% Some other ideas/notes:
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% First three beats could expand from unison Bf
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% O! -- melodic as in hymnal (baritone sings bass)
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% I - IV - I on long notes
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% four-count note at end of second phrase is probably more like eight?
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% breathing?
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% tenor suspension on last "tremble"
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% alto eighth notes on last "they" as in hymnal
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soprano = \relative bf {
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\key ef \major
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\partial 2
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bf4 ef | g2 g4 g | f ef g4. f8 | ef1~ | ef2 \break
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ef4 g | bf2 bf4 bf | c bf bf4. g8 f1 |
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bf2( ef4. c8 | bf1) | \break
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c4 bf2 g4 | g4. f8 ef4 ef | f ef2. | ef4 ef2. | c4 bf2.~ | bf2 \break
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ef4 af | g2 g4 g | f ef g4. f8 | ef1~ | ef2 \bar "|."
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}
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alto = \relative g {
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g4 bf | ef2 ef4 ef | d c d4. d8 | bf1~ | bf2
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bf4 ef | g2 g4 g | a g g4. ef8 | d1 |
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g2( c4. af8 | g1) |
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af4 g2 ef4 | d4. d8 c4 c | c c2. | c4 bf2. | af4 f2.~ | f2
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c'4 f | ef2 ef4 ef | d c d4. d8 | bf1~ | bf2
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}
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baritone = \relative ef {
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\clef bass
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\key ef \major
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ef4 g | bf2 bf4 bf | bf g bf4. af8 | g1~ | g2
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g4 bf | ef2 ef4 ef | ef ef ef4. bf8 | bf1 |
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ef1~ | ef1
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ef4 ef2 bf4 | b4. b8 g4 g | af af2. | af4 g2. | ef4 d2.~ | d2
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af'4 c | bf2 bf4 bf | bf g bf4. af8 | g1~ | g2
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}
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% sopTransition = \relative f' {
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% \key bf \major
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% f4 bf,8( c) d( ef) f4 |
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% \key b \major
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% fs4 as,8( b) cs( ds) e4 \bar "||"
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% }
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%
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% altoTransition = \relative d' {
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% \key bf \major
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% d4 bf bf8( c) d4 |
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% \key b \major
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% cs4 as8( b) as( b) cs4 |
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% }
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%
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% bariTransition = \relative bf {
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% \key bf \major
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% bf4 a af af |
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% \key b \major
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% as as8( gs) fs4 fs |
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% }
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verseOne = \lyricmode {
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\set stanza = "1. "
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Were you there when they cru -- ci -- fied my Lord?
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Were you there when they cru -- ci -- fied my Lord?
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O!
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Some -- times it caus -- es me to trem -- ble, trem -- ble, trem -- ble!
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Were you there when they cru -- ci -- fied my Lord?
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}
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verseTwo = \lyricmode {
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\set stanza = "2. "
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Were you there when they nailed Him to the tree?
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Were you there when they nailed Him to the tree?
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O!
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Some -- times it caus -- es me to trem -- ble, trem -- ble, trem -- ble!
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Were you there when they nailed Him to the tree?
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}
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verseThree = \lyricmode {
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\set stanza = "3. "
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Were you there when they laid Him in the tomb?
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Were you there when they laid Him in the tomb?
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O!
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Some -- times it caus -- es me to trem -- ble, trem -- ble, trem -- ble!
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Were you there when they laid Him in the tomb?
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}
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verseFour = \lyricmode {
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\set stanza = "4. "
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Were you there when He rose up from the dead?
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Were you there when He rose up from the dead?
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O!
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Some -- times I feel like shout -- ing glo -- ry, glo -- ry, glo -- ry!
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Were you there when He rose up from the dead?
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}
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\score {
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<<
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\new ChoirStaff <<
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\new Staff = "soprano" <<
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\new Voice = "soprano" { \voiceOne \soprano }
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\new Lyrics \lyricsto soprano { \verseOne }
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\new Lyrics \lyricsto soprano { \verseTwo }
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\new Lyrics \lyricsto soprano { \verseThree }
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% \new Lyrics \lyricsto soprano { \verseFour }
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\new Voice = "alto" { \voiceTwo \alto }
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>>
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\new Staff = "baritone" <<
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\new Voice = "baritone" { \voiceThree \baritone }
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>>
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>>
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>>
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\layout { }
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}
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% Optional modulation between verses four and five
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% \score {
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% <<
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% \new ChoirStaff <<
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% \new Staff = "sopTransition" <<
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% \new Voice = "sopTransition" { \voiceOne \sopTransition }
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% \new Lyrics \lyricsto sopTransition { \refrain }
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% \new Voice = "altoTransition" { \voiceTwo \altoTransition }
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% >>
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% \new Staff = "bariTransition" <<
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% \clef bass
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% \new Voice = "bariTransition" { \voiceThree \bariTransition }
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% >>
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% >>
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% >>
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% \layout { }
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% }
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99
why-should-he-love-me-so-sab.ly
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99
why-should-he-love-me-so-sab.ly
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@ -0,0 +1,99 @@
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% Based on https://hymnary.org/page/fetch/CEL1997/318/high; in the public domain since at least 2020
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\version "2.24.4"
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\language "english"
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\header {
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title = "Why Should He Love Me So?"
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composer = "Robert Harkness, 1924"
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tagline = "" % Suppress "Music Engraving by Lilypond"
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}
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soprano = \relative f' {
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\key bf \major
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\time 6/4
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f4 f f g g g | d d d f2. |
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bf4. a8 g4 f2 ff4 | ef2.~ ef2. |
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g4 g g a a a | ef ef ef g2. |
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g4 a bf c2 a4 | f2.~ f2. \bar "||"
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bf4. a8 g4 f2 ff4 | ef2.~ ef2. |
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a4. bf8 c4 g2 a4 | f2.~ f2 r4 |
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bf4. bf8 bf4 bf a g | f e f d'2. |
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d4 c g bf2 a4 | bf2.~ bf2. \bar "|."
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}
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alto = \relative c' {
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d4 d d d d d | a a a a2( ef'4) |
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d4. d8 d4 bf2 bf4 | bf2.( a) |
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ef'4 ef ef ef ef ef | c c c ef2. |
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e4 e e e2 e4 | c2( d4 ef2.) |
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d4. d8 d4 bf2 bf4 | bf2.( a) |
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ef'4. ef8 ef4 ef2 ef4 | d2.( ef2) r4 |
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d4. ef8 f4 g f ef | d cs d f2. |
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e4 e e ef2 ef4 | d4( f ef d2.) |
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}
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baritone = \relative c' {
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\clef bass
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\key bf \major
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bf4 bf bf bf bf bf | f f f f2. |
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f4. f8 f4 d2 df4 | c2.( f) |
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a4 a a c c c | a a a c2( b4) |
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bf4 a g bf2 c4 | a2( bf4 a2.) |
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f4. f8 f4 d2 df4 | c2.( f) |
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c'4. bf8 a4 bf2 c4 | bf2( gs4 a2) r4 |
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af4. af8 af4 g a bf | bf bf bf b2. |
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bf4 g bf c2 c4 | bf( a g f2.) |
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}
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verseOne = \lyricmode {
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\set stanza = "1. "
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Love sent my Sav -- ior to die in my stead;
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Why should He love me so?
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Meek -- ly to Cal -- va -- ry's cross He was led;
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Why should He love me so?
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}
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verseTwo = \lyricmode {
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\set stanza = "2. "
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Nails pierced His hands and His feet for my sin;
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Why should He love me so?
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He suf -- fered sore my sal -- va -- tion to win;
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Why should He love me so?
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}
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verseThree = \lyricmode {
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\set stanza = "3. "
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O how He a -- gon -- ized there in my place;
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Why should He love me so?
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Noth -- ing with -- hold -- ing my sin to ef -- face;
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Why should He love me so?
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}
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refrain = \lyricmode {
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Why should He love me so?
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Why should He love me so?
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Why should my Sav -- ior to Cal -- va -- ry go?
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Why should He love me so?
|
||||
}
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||||
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\score {
|
||||
<<
|
||||
\new ChoirStaff <<
|
||||
\new Staff = "soprano" <<
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\new Voice = "soprano" { \voiceOne \soprano }
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\new Lyrics \lyricsto soprano { \verseOne }
|
||||
\new Lyrics \lyricsto soprano { \verseTwo \refrain }
|
||||
\new Lyrics \lyricsto soprano { \verseThree }
|
||||
\new Voice = "alto" { \voiceTwo \alto }
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||||
>>
|
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\new Staff = "baritone" <<
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\new Voice = "baritone" { \voiceThree \baritone }
|
||||
>>
|
||||
>>
|
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>>
|
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\layout { }
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||||
}
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||||
90
wonderful-words-of-life-sa.ly
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90
wonderful-words-of-life-sa.ly
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@ -0,0 +1,90 @@
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% Based on https://hymnary.org/page/fetch/CEL1997/400/high; written in 1870s so long public-domain
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\version "2.24.4"
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\language "english"
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\paper {
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system-system-spacing.basic-distance = #20
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}
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\header {
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||||
title = "Wonderful Words of Life"
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||||
composer = "Philip P. Bliss"
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tagline = "" % Suppress "Music Engraving by Lilypond"
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}
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soprano = \relative a' {
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\key f \major
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\time 6/8
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||||
a4 a8 a bf a | a4 g8 g4. |
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c,8 g' g a4 g8 | f4.( c) |
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a'4 a8 a bf a | a4 g8 g4. |
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c,8 g' g a4 g8 | f2. | \break
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||||
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a4 a8 a( bf) c | d4. c |
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a4 a8 a( bf) c | d4. c \bar "||" \break
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c8 bf bf bf4. | bf8 a a a4. |
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a8 g f g4 e8 | f4( a8 c4.) |
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c8 bf bf bf4. | bf8 a a a4. |
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a8 g f g4 e8 | f2. \bar "|."
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}
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alto = \relative c' {
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||||
f4 f8 f g f | f4 e8 e4. |
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||||
c8 e e f4 e8 | c4.( c) |
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||||
f4 f8 f g f | f4 e8 e4. |
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||||
c8 e e f4 e8 | f2. |
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||||
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f4 f8 f( g) a | bf4. a |
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||||
f4 f8 f( g) a | bf4. a |
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||||
|
||||
a8 g g g4. | g8 f f f4. |
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||||
f8 e d e4 c8 | c4( f8 a4.) |
|
||||
a8 g g g4. | g8 f f f4. |
|
||||
f8 e d e4 c8 | c2. |
|
||||
}
|
||||
|
||||
|
||||
verseOne = \lyricmode {
|
||||
\set stanza = "1. "
|
||||
Sing them o -- ver a -- gain to me, Won -- der -- ful words of Life;
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||||
Let me more of their beau -- ty see, Won -- der -- ful words of Life.
|
||||
Words of life and beau -- ty, Teach me faith and du -- ty.
|
||||
}
|
||||
|
||||
verseTwo = \lyricmode {
|
||||
\set stanza = "2. "
|
||||
Christ, the bless -- ed One, gives to all, Won -- der -- ful words of Life;
|
||||
Sin -- ner, list to the lov -- ing call, Won -- der -- ful words of Life.
|
||||
All so free -- ly giv -- en, Woo -- ing us to heav -- en—
|
||||
}
|
||||
|
||||
verseThree = \lyricmode {
|
||||
\set stanza = "3. "
|
||||
Sweet -- ly ech -- o the gos -- pel call, Won -- der -- ful words of Life;
|
||||
Of -- fer par -- don and peace to all, Won -- der -- ful words of Life.
|
||||
Je -- sus, on -- ly Sav -- ior, Sanc -- ti -- fy for -- ev -- er.
|
||||
}
|
||||
|
||||
refrain = \lyricmode {
|
||||
Beau -- ti -- ful words, won -- der -- ful words,
|
||||
Won -- der -- ful words of Life.
|
||||
Beau -- ti -- ful words, won -- der -- ful words,
|
||||
Won -- der -- ful words of Life.
|
||||
}
|
||||
|
||||
\score {
|
||||
<<
|
||||
\new ChoirStaff <<
|
||||
\new Staff = "soprano" <<
|
||||
\new Voice = "soprano" { \voiceOne \soprano }
|
||||
\new Lyrics \lyricsto soprano { \verseOne }
|
||||
\new Lyrics \lyricsto soprano { \verseTwo \refrain }
|
||||
\new Lyrics \lyricsto soprano { \verseThree }
|
||||
\new Voice = "alto" { \voiceTwo \alto }
|
||||
>>
|
||||
>>
|
||||
>>
|
||||
\layout { }
|
||||
}
|
||||
Loading…
Add table
Add a link
Reference in a new issue